Frig
Frig
PETAK, 6. DECEMBAR 2019. 18:00 – 23:30 SALA AMERIKANA – DOM OMLADINE BEOGRADA
Cena karte: Dnevna karta za retrospektivu Antonijy Hiklinga: 250 din.
Igrani film
Režija: Antony Hickling
Uloge: Biño Sauitzvy, Thomas Laroppe, Gaëtan Vettier
Francuska, 2018.
Frig, film koji se sastoji iz tri dela (Ljubav, Govno i Sperma) je eksperimentalna drama koja počinje završetkom ljubavne afere. Film počinje pesmom koju prate delovi slika. Film uranja u de Sadov univerzum u “120 dana Sodome”. Izražen kroz ples, poeziju i dramu, ovaj film je ilustracija nasilne prekretnicu, dobrovoljne ili ne, koja nas vodi na put shamana, put oslobođenja.
Frig
FRIDAY, 6 DECEMBER 2019 18:00 – 23:30 AMERICANA HALL – BELGRADE YOUTH CENTER
Ticket price: Daily ticket for Antony Hickling Retrospective 250 RSD
Feature film
Directors: Antony Hickling
Cast: Biño Sauitzvy, Thomas Laroppe, Gaëtan Vettier
France, 2018
Frig, a film in three parts (Love, Shit and Sperm) is an experimental drama beginning with the end of a love affair. Opening with a personal poem and accompanied by fragmented images, the film plunges into Sade’s universe in “120 Days of Sodom”. Expressed through dance, poetry and drama, the film is an illustration of a violent rite of passage, voluntary or not, which leads us on the path of the shaman, a path of liberation.
Antony Hickling
Antony Hickling is an English/French independent film maker, actor and writer born in South Africa, Johannesburg. He grew up in the UK and trained as an actor at Manchester University (Arden School of Theatre). He went on to study for his master’s degree then doctorate in Arts of the Stage at Paris 8 University, his main focus on “Queer arts”. After several years of study he left his doctorate unfinished in order to pursue a career in cinema. After training at CEFPF film school Paris he went on to direct films related to his research on Queer . His films have been screened in LGBTQ film festivals worldwide. Hickling’s films are characterized by religious symbolism and explicit, sexual representations, often blending the boundaries between overesthetized surrealism and realism. His works pay tribute to and are in the long tradition of European Art House cinema and have been compared to Derek Jarman, Peter Greenaway, and Pier Paolo Pasolini. He continues to work as an actor specializing in voice over and has provided voices in advertising, video games, cartoons and animation movies.